Who is the Villain in Video Games?
In a popular answer, the negative character is the bad guy in our story, but according to a precise definition, who can we consider a negative character?
Introduction
In the world of video games, like classic literature and cinema, negative characters play an essential and irreplaceable role in shaping the narrative and the players’ experience. These characters not only appear as obstacles in the path of the heroes, but with their psychological complexity and deep motivations, they add different layers of meaning and meaning to the story. They are the darker manifestation of the human ego; The other side of the soul, which is often ignored or suppressed in the real world, but in the virtual world, there is an opportunity for the negative character to be displayed in a blatant and reckless way. The negative character, with his powerful and majestic presence, is not only the hero’s enemy, but also a mirror that reflects different aspects of his identity and decisions.
If the hero represents hope, courage, and morality, the villain represents doubt, anger, and rebellious tendencies. Although these characters are often known as evil forces, behind their dark faces, they raise fundamental questions about the nature of man and his inner contradictions. In fact, many of these characters are memorable not for their overt evil, but for their motivations; Motives that may be rooted in every human heart!
This is why negative characters, with all their blackness and sometimes cruelty (in other words, callousness), are not only not forgotten, but often become a symbol of the complexities and various aspects of life. They are not the only faces to confront; but faces for a deeper understanding of the nature of humanity and the world we live in. Finally, it is the negative characters that give meaning to the story and add depth and diversity to it that may never be achieved without their presence.
It must have depth
Due to their psychological complexity, negative characters in video games are one of the deepest and most challenging elements in the narratives of this art form. These complications make these characters go beyond simple and one-dimensional characters and become figures who are involved in internal and psychological conflicts, conflicts that show the depth and importance of their presence in the story.
Inside every negative character lies a set of contradictions and mental battles. These internal conflicts can appear in the form of conflicts between conflicting feelings, emotional needs and logic or moral beliefs and personal desires. These opposing forces turn the negative personality into a dynamic and changeable entity. These contradictions enable him to make decisions that are sometimes unexpected and sometimes deeply influential, decisions that show all his psychological and human depth. Past experiences also play an important role in the formation of these complexities. Many of these characters have dealt with great tragedies and traumas in their pasts, which not only justify their current behavior, but also allow players to empathize with their more human and vulnerable sides. Like open wounds, these pasts recur throughout the story and influence the decisions and motivations of the villain.
Negative characters often have motivations that seem contradictory. For example, they may seek power and dominance on the one hand, and experience loneliness and need for approval on the other. These conflicts add new layers to their decisions and behaviors and make their every action heavily influenced by these internal conflicts. These complex layers have made the negative character appear not only as an external enemy, but also as a symbol of the hero’s inner conflicts. The relationship between the hero and the negative character is also a reflection of these complexities. This relationship can go beyond simple enmity and be deeper and more complex, involving emotional dependencies, jealousies, or even a form of mutual respect. These emotional links between the negative character and the hero give depth and meaning to the story and invite the player to an inner and emotional journey.
Being Bad needs a Reason
Strong and comprehensible motivations are one of the most important elements that turn negative characters into figures beyond a mere evil force. These motivations can include a wide range of personal feelings, experiences, and beliefs that lend validity to the negative personality. Without these strong motivations, the villain may simply become a cliched, soulless character that has no lasting impact on the player. But when his motivations are logical and understandable, even if they conflict with the values and beliefs of the hero or the player, the villain becomes a powerful and seductive force that can lead the player to deeper moral and intellectual challenges. They usually come from the lived experiences of the character. Supposedly, a negative character may decide to become a ruthless and powerful force due to suffering injustice in his past so that no one can dominate him. Such motivation is not only comprehensible to the player, but can even make one feel some kind of empathy with the villain, even though his actions may be highly distasteful and immoral. Comprehensible motivations also make the villain’s actions seem logical and consistent with his characterization. These motivations can be deeply woven into the story and narrative of the game and have a wide impact on the story and the interactions of the characters. Sometimes, the motivations of the negative character come from deep ideological or philosophical beliefs that lead him to do actions that he does not think are right. They are not only justifiable, but also necessary and inevitable. These beliefs can include nihilistic views, extreme religious beliefs, or even some kind of personal mission to bring order to a world that he sees as mired in chaos and corruption. This turns the villain into an anti-hero, which may force the player to reconsider their beliefs and values. Also, these motivations give the villain more credibility and coherence, because they are presented as people who react to the world around them in a deep and meaningful way, rather than as shallow, brainless beings who only seek to cause chaos and destruction. .
Charismatic
Villains aren’t just attractive because of their complex motivations or internal conflicts; Rather, many of them have been able to become lasting and memorable faces due to their charisma and charm. This charisma and attractiveness may be displayed through behaviors, speech, or even some form of physical attractiveness and presence. In fact, these characteristics help the villain to be seen not only as a threat, but as someone capable of commanding attention and respect even among his enemies. Charisma in negative characters usually stems from a kind of self-confidence that allows them to take actions and decisions in an unwavering and firm way. This self-confidence is often reinforced by their strong belief in the rightness of their path and purpose. Even when the path is clearly immoral and dark, the villain’s charisma can make the player subconsciously respect him. This charisma can appear verbally, so that the negative character, having the ability to express strongly and effectively, can attract others to him, either to attract new forces to his ranks or to challenge the protagonist.
The appeal of negative characters can also come from their ability to create a powerful and independent identity. Many of these characters have unique characteristics that set them apart from others. These characteristics can include the way they dress, the way they move, or even a dark, dark sense of humor that gives the villain a certain charm. These characters usually have a special ability to create an aura of mystery and awe that causes others to instinctively avoid or be influenced by them.
Having an Opinion
Negative characters in video games often become deep and complex figures due to the philosophies and ideologies they follow. These philosophies and ideologies are the framework through which our story reacts to the world and the situations in front of it. These beliefs and views can give meaning to his motivations and actions and transform him from a superficial and stereotyped character to an intellectual and challenging figure. In fact, it is these ideologies that make the villain a person with a specific personal mission and goal, even though this mission may conflict with the values and goals of the protagonist or other characters in the story.
Ideologies of negative characters can originate from different sources. Some of them may stem from bitter and unfortunate experiences in the past, experiences that have led them to an extreme or cruel view of the world and people. A villain may have come to the conclusion that the world is essentially a cruel and unjust place, and therefore, he too must act ruthlessly and unscrupulously in order to survive in such a world. These beliefs often serve as justification tools for their violent and immoral actions, allowing the negative character to see their actions as rational and even necessary. These types of characters also serve as powerful tools to examine and critique extreme ideologies and beliefs in the real world, allowing the player to look at the issues around them with a more open and critical perspective.
Dark Side
The darker aspects of man, like a shadow, are always with him, hidden in the depths of existence and waiting for the right moment to emerge. This darkness is a part of human nature, as if rooted somewhere beyond his awareness, in the hidden layers of a mind. These dark aspects are not only in contrast with light and brightness, but they are complementary and necessary for a complete and comprehensive understanding of human nature. The philosophy of the existence of these darknesses is rooted in the complexities of human existence; He is always trying to cross the border between good and evil, light and darkness, reason and madness, without knowing that every step he takes towards the light, a dark shadow spreads behind him. These dark aspects exist in humans in the form of primal and silent instincts, uncontrolled desires and unspoken terrors. Although civilization and culture have put a mask of civilization and rationality on his face, but in certain moments, when the mask falls from his face, these darknesses appear in a terrible and cruel way. These moments are the ones that push man to the brink of insanity and immorality, where he no longer acts as a rational and moral being, but as a wild and cruel animal. These dark aspects are a kind of reflection of the complex and dual nature of man, who can be a merciful angel at one moment and a ruthless devil at another moment. These dark aspects can also be explored as a way to better understand human limitations and vulnerabilities. Man, with all his power and greatness, is always in danger of falling into dark and deep valleys within himself. This fall is sometimes the result of his weakness and inability to deal with internal forces, and sometimes it is the result of facing external conditions that bring him to the border of despair and madness. These dark aspects are a kind of reflection of man’s inability to achieve absolute perfection and show that even in the highest moments of glory and greatness, he is always in danger of falling to the deepest depths of his being.
It is very hard to be bad
Processing a villain in the world of video games is much more complicated and difficult than portraying a hero. Heroes are often defined by specific and clear motivations: saving others, restoring order, or confronting oppression. They usually follow clear paths that lead to success or salvation through the moral principles they follow. Heroes, even in difficult situations, are always trying to move towards higher human values and principles. But the negative character needs more depth and subtlety to embody the evil and dark complexities. A negative character can’t just act as a symbol of evil without limits! In fact, being bad in the game world means that the character can act in such a way that the player, although they may disagree with their actions, understand their motivations and internal conflicts and even identify with them in some way. Creating a prominent negative character requires deep psychological and philosophical investigation. These characters should not only face the hero, but also add a serious balance and challenge to the narrative and story of the game.
These characters should be able to show different faces of humanity: anger, fear, hatred, love and even desires that have gone astray! Besides, being bad at games means accepting different challenges. These characters have to cross barriers that are not only physical, but also psychological and moral. They must be able to continue on their path in what often seem intolerable circumstances, even if that path leads to their own or others’ destruction. Finally, successful negative characters are those who can make the player think, confront him with moral and philosophical questions and show that being bad, contrary to its simple appearance, is extremely difficult and complicated. Therefore, creating and embodying a A negative character means entering a world where the boundaries between good and evil, black and white, are greatly blurred. In this gray world, being bad means accepting all dimensions and complexities of human existence; Dimensions that may be terrifying and painful not only for the player, but also for the villain himself.
In the first years of this relationship, Keck gave birth to children who all died. Finally, in 1878, she gave birth to Soso (Stalin). The mother’s prayer was answered and the child survived. Keck decided to use the life given to his son to serve God.
A corner of Stalin’s book.
Thank you for accompanying me to the end of this article.
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