“Curse of the ancient king of Iran”; The most important monument of history
Anubani's relief, which remained on a rock in the city of Sarpol Zahab about 4 thousand years ago, is considered one of the most important monuments of Iranian history. This scroll, which was recorded along with inscriptions from Lulobi tribes, gives a glimpse of life in the mountains of western Iran in the past.
According to Bitoteh, the victorious king Anubani with a long beard, a hat on his head, and a gun in his hands, is depicted as an ancient native king ruling the land where the Lulobi people lived.
In contrast to this role, there are other works of Lulubi people, including a petroglyph of “Nramsin”, the king of the “Akkad” empire in Iraq, who depicted them as his captives. But the most important remaining work of this people is the “Anubani” petroglyph.
In these works, Shah Pirouz is depicted together with the ancient goddess named “Ishtar”. Ishtar, the important god of the Mesopotamia region, which was a symbol of blessing and victory for the Akkadians and Assyrians, and before them, under the name “Inana”, was the god of war and fertility for the Sumerian tribes.
This role is associated with a special historical significance; Because it is the first stone painting left from the history of Iran that depicts the story of a king's victory over captives. In the picture, Shah Anubani placed his foot on the stomach of one of the captives and six other captives are seen below him with their hands tied. One of these captives has a different hat, possibly representing a particular ethnicity.
In the image, the goddess holds two kneeling captives in her right hand and shows a ring to the king with her left hand, which in the Istar of ancient gods is interpreted as the rulership of time.
Also, the god of the sun and justice named “Shamesh” is also watching this scene, and there is an inscription in Akkadian script under Ishtar's foot which explains: “Anubani, the mighty king of Lulobi, has drawn his image and the goddess Ishtar on Mount Patir, and whoever Let him erase this tablet, be caught by the curse of Anu, Anotum, Baal, Balit, Raman, Ishtar, Sin and Shamash, and his descendants will perish.”
Anubani has been located on a mountain in the city of Sarpol Zahab for many years, and according to researchers, a petroglyph inspired Dariush Achaemenshi in the engraving of the Biston petroglyph. This role is a symbol of the history of ancient Iran, which fades and fades over time, but still has great value as an artistic and historical masterpiece.
Frequently asked questions about the curse of the ancient king of Iran
1. What role did the curse of the ancient king of Iran play in the history of this country?
The curse of the ancient king of Iran represents a symbol of victory and rule in a period of about 4 thousand years ago. This artistic masterpiece is placed on the rock in the city of Sarpol Zahab and depicts the story of his victory in the war and the capture of prisoners.
2. What role did Lulobi tribes play in the ancient history of Iran?
In ancient times, Lulobi tribes lived in the mountainous regions of western Iran, especially in parts of Kermanshah, Kurdistan, and West Azerbaijan. The effects of the king's curse also inform about the victory of these tribes over their enemies.
3. What importance does the story of the king's curse seem to have for the ancient people of Iran?
The story of the curse of the ancient king of Iran, in addition to being a symbol of victory and rule, has played a role in strengthening the faith and beliefs of the people and has had cultural and religious importance. These roles in the history and identity of the ancient people have strengthened the society.
4. Has the curse of the ancient king of Iran left an impact on the ancient arts and architecture of this region?
Yes, the curse of the ancient king of Iran had significant effects on the ancient arts and architecture of this region. These works are known as one of the most important examples of petroglyph art in ancient Iran, and its effects can be seen in other art styles as well.
The final words of the article about the curse of the ancient king of Iran
By exploring the story of the curse of the ancient king of Iran, we go on a journey in time and learn about the greatness and glory of the culture and civilization of this land. This remaining relief in Sarpol Zahab reminds us of the ancient heritage of Iran and shows the times when the kings, based on their will and art, left a mark on history as proud symbols. By looking back, we will gain a deeper understanding of current culture and identity.
